10 DC Comics That Aren’t As Good As You Remember

DC Comics created the modern conception of superheroes. In the Silver Age, they broke the mold, but they found themselves falling behind when Marvel introduced their heroes with feet of clay, superheroes that readers could sympathize with. In the ’80s, however, DC moved ahead of Marvel, introducing a more mature take on superheroes.

Since then, DC has crafted many of the best superhero stories of all time. The editor received a lot of praise, creating stories that fans loved. However, many fan-favorite stories aren’t as good as they remember, and repeated readings show their flaws.

10 Even the Least Problematic Parts of Identity Crisis Aren’t Great

Identity crisis revealed many of the Justice League’s darkest secrets. Written by Brad Meltzer with art by Rags Morales, the story has earned a bad rap in recent years for its treatment of Sue Dibny by not only freezing her but subjecting her to sexual abuse. However, even other parts of the story don’t hold up well.

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The Justice League paper towels are an interesting idea, but the damage they’ve done to the League has undermined the greatness of the team in many ways. Humanizing the heroes is fine, but this book went too far. Additionally, the central mystery and its resolution were still underwhelming.

9 Geoff Johns’ Run On Justice Society Of America (Vol. 3) Isn’t As Amazing As Many Thought

The JSA It enjoyed enormous popularity and is rightly considered one of the best computer books of all time. AfterEnd of crisis It isJustice Society of America (Vol.3) launched a new incarnation of the team that played with even more DC Legacies. Geoff Johns launched the book, along with artists Dale Eaglesham, Fernando Pasarin, Jerry Ordway and many others, during its 26-issue run.

Looking back, this series is still good, but it’s not the amazing team book everyone thought it was. There are good stories and let your kingdom come it’s great, but Johns plays into his own tropes too much. Unfortunately, many of the stories are a little disappointing compared to the previous ones.

8 Superman/Batman: Kryptonian Supergirl Isn’t Epic

Superman/Batman: The Supergirl of Krypton, by writer Jeph Loeb and artist Michael Turner, brought Supergirl back to DC. The story takes her to Themyscira for training before Darkseid sets her sights on her. From there, he heads to Apokolips to free her, before Superman confronts the God of Mischief at his parents’ farm.

The story tries to be epic, even unleashing an army of Doomsdays against Themyscira, but for some reason it never quite gets there. It has what it takes to be epic, but the fact that readers know Supergirl is coming back turns everything upside down. The art is gorgeous, but the story isn’t as epic as it should be.

7 JLA: The Tower Of Babel Started An Unfortunate History

Batman has always kept damaging secrets, but JLA: Tower of Babel, by writer Mark Waid and artists Howard Porter and Steve Scott, introduced the worst. Batman’s plans to kill the JLA are stolen by Ra’s al Ghul and used against the League. The team survives, but Batman’s guilt causes the League to kick him off the team.

Babel Tower went down in history as a great JLA story, but it also introduced the idea of ​​the dodgy Batman, while bolstering his reputation as Batgod. It’s a pretty good story, not the amazing one that its reputation leads readers to believe. The fact that he hurt Batman so much is a big deal.

6 The Rebirth Superman Series Misses More Backstory Than People Remember

DC Rebirth Hasn’t Aged As Well As Many Think, Especially Superman . Written by Peter Tomasi and Patrick Gleason with art by Gleason, Doug Mahnke, and more, the story was considered by many to be a comeback and great run for Superman when it was released. Fans were thrilled with the return of the pre-Superman Breaking point and Lois, and they loved Jon Kent.

The first story, with the Kents fighting the Eradicator, is pretty good, but things get dull quickly. The Superman in the book is very different from what came before, but even if he wasn’t, a lot of the stories were just mediocre. Manchester Black’s story is where the cracks really start to show and they never quite healed after that.

5 Batman: The Killing Joke Is Too Bold For Its Own Good

There are many controversial Batman stories, and Batman: The Killing Joke automatically comes to mind. Written by Alan Moore and drawn by Brian Bolland, it’s considered the best Joker story and has been known to cripple Batgirl. However, the story is too bold for its own good.

The art is gorgeous, but even Alan Moore distanced himself from the story after it was published. The book prides itself on its violence, which is fine, but lacks the poetic writing that made Moore a legend. It kind of set a bad precedent for the Batman and Joker stories. It’s an important story, but not the best one.

4 Alan Moore’s Swamp Thing Changed The Comics, But It’s Not So Revolutionary From A Modern Perspective

There are some brilliantly written horror comics out there, and they all owe a debt of gratitude to The Swamp Thing by Alan Moore . Working with artists Simon Bisette, Jon Totleben, Rick Veitch and others, he is a legendary comedian and has more than earned his reputation as a great book. However, comparing it to what followed reveals a few flaws.

For a reader to truly appreciate the swamp thingyou have to read it before books like The sand man and the other DC books he drew inspiration from. It’s still wonderfully written and impeccably drawn, but subsequent books were able to go further. They picked up the stick and ran with it, stepping over Swamp Thing. .

3 Batman: Hush Lives And Dies By His Art

Batman: Hush, by writer Jeph Loeb and cartoonist Jim Lee, it is considered a modern classic. Batman’s quest to learn Hush’s identity leads him to uncover a plot involving several of his enemies. It’s basically a Batman greatest hits album, and Lee’s art is amazing, but it’s not really a story.

Browse silence it reveals a lot of great pages, but reading the story reveals a convoluted story. How come Batman, the ultimate detective, didn’t know that the only new person, Tommy Elliot, wasn’t Hush? It often feels like a bunch of big themes that shouldn’t fit together in one story.

2 The Sinestro Corps War Never Delivers On The Promise Of Part One

The Sinestro Corps War Lives On, created by Geoff Johns, Peter Tomasi, Dave Gibbons, Ethan Van Sciver, Ivan Reis and Patrick Gleason, with the first one-shot depicting a brutal war. Fans watched as the Sinestro Corps tear the Green Lanterns apart and left wanting more.

Unfortunately, the rest of the story is nothing more than a bunch of action figures bumping into each other. The danger of the first part of the story never reappears. The Sinestro Corps War it often feels like a summer blockbuster, right down to its soulless, confident nature.

1 Infinite Crisis is a sequel again

Infinite Crisis is a popular DC event. Written by Geoff Johns with art by Phil Jimenez, George Pérez, Ivan Reis and Jerry Ordway, the story builds on its status as a sequel to Crisis. on infinite Earths, which is fine for nostalgic purposes, but hurts the story. There are still some epic moments in the book, but knowing he only exists to undo the book he honors isn’t great.

Infinite Crisis It’s a fun event book, but it often feels overloaded to hide how little plot there actually is. The pacing is loose enough to match its length, and it needs to catch up on a lot of detail from other stories. Separated from its structure and read for itself, it shows how weak the story really is.