We’re sure last weekend was one of the most magical of Ana Mena’s career: after having Madrid audiences fall in love with his stellar performance in Los40 Primavera POP, The Malaga woman was heading to Galicia to experience the first night of her Bellodrama tour in La Coruña.

An evening where the singer presented her second album at the same time as she reviewed some of the most important hits of her career (the repertoire was full of songs like It’s time oh Solohis collaboration with Omar Montes), also leaving room for a few surprises.

His version of ‘You can count on me’

And it is that of Estepona, who on more than one occasion declared himself a fan of La Oreja by Van Gogh and cited the band as one of the main inspirations when composing Me he pillao x tijoined the fever to take over the classic you can count on me (only last year María Escarmiento made this song one of the hallmarks of her debut album and Abraham Mateo also sang the theme in his concerts) including it in the concert setlist.

In this way We could see Ana Mena remembering winter afternoons in Madrid, salty coffees and the desire to cry. A very beautiful and dramatic song that fits the Malagasy like a glove and has become one of the most special moments of the evening for many participants.

However, This is not the first time that Ana Mena has included a Van Gogh’s Ear song in the repertoire of one of her concerts. Last September, when the artist visited Fuenlabrada with his summer tour, We witnessed one of the singer’s dancers requesting a helping hand from her boyfriend live in a night that ended with a resumption of January 20 (another of the band’s great classics and one of the couple’s favorite songs).

Van Gogh’s ear already reacted at the time to Ana Mena’s version, asking him to sing live with her at some point. Could this be one of the surprises that the Malagasy has promised for her evening at the Wizink Center next September? Dreaming is free but we would like nothing more than to see this union singing loudly you can count on me.

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